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公平之雨
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<p>世界各地人口神秘失踪后,反乌托邦世界中的交战势力为全人类的灵魂而战。新全球政府(NG)试图消灭残余势力,一群反抗者却拥有一本极其珍贵的超自然之书,这本书揭示了如何使用非此世的武器对抗NG。残余势力发现...</p>
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燃烧身体的记忆
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<p>Repression and taboos have shaped the image of womanhood for Ana (68), Patricia (69) and Mayela (71)...</p>
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B星球
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<p>  France, 2039. One night, a group of activists pursued by the state vanish without a trace. Julia Bombarth is one of them. When she awakens, she finds herself trapped in an entirely unfamil..
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万灵
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<p>  一名年轻的线人被派去执行一项危险的卧底行动。这是一部毫无保留的影片,讲述了禁毒战争中那些脆弱的步兵,以及被迫为警方工作的年轻罪犯。</p>
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游说
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<p>《OB》讲述了与高尔夫相距甚远、与商业相距甚远的研究员昌旭为了获得国家事业权而展开游说,引发高尔夫界混乱的故事。</p>
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<p>  高二学生叶小戎因一次意外穿越到了明朝,遇见了治水秀才叶宗行,并在与之相处的过程中从不理解到积极支持叶宗行的治水大业,并被叶宗行的品德所感染的故事。</p>
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《拉莉萨》剧情介绍

影视大全提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为0.0,本片由小编于2025-03-06 09:23更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://infoarg.com/movie/index59563.html

《拉莉萨》简介:<p>  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.<br/>  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.</p>

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